
No, it would be nightmare to navigate. Your depth perception would be minimal and you would have great difficulty simply finding your room within the cerulean sensefest. Room service would be very slow and the food, if indeed it finally arrived, would also be blue, causing all but the most dedicated trenchermen to lose much of their appetite.
“The way it makes you feel” – far from being a mishearing of lyrics from Michael Jackson’s The Way You Make Me Feel [from the Album Bad, 1987, Epic, Prod: Quincy Jones/Michael Jackson] is clearly Mr Isaak suggesting potential residents of his impractical blue hotel acclimatise themselves to the visual overload of his preposterous hostelry, with an abstract representation of their likely experience. An interactive version or wicked ‘game’ which, while not an actual simulacrum, would provide prospective guests with an example of what it would potentially be like to stay in a truly bad hotel.
Thus it is we find ourselves in the position where you too can experience and ‘enjoy’ a Bad Hotel experience, without having to book rooms, travel or go run the risk of falling foul of criminally-minded staff or poor registration procedures which mean “you can check in any time you like, but you can never leave” [Hotel California: The Eagles, from the album Hotel California, 1976, Asylum, Prod: Bill Szymczyk].
Bad Hotel has been recognised internationally as crucial application for every traveller, domestic, international, global and – should the new de-nationalised and private corporation-backed ‘space race’ continue to innovate – globally and galactically too, making space travel at once safer, more professional and “a cosmic celebration” [Vengaboys: Vengababes From Outer Space, from the album The Party Album, 1998, Groovilicious/S.R, Prod: Vengaboys]
To quote the liner notes:
Bad Hotel is an insane hybrid of a tower defense game and a procedural music toy, with beautiful art and tons of bullets. You are a budding entrepreneur, whose hotel is rather unfortunately located within the territory of Tarnation Tadstock, the Texas Tyrant. Your only defense against Tadstock’s army of seagulls, rats, yetis, and more is to build your hotel as quickly and intelligently as possible, using an array of increasingly sophisticated weapons. The beautiful artwork, quirky storyline, and frantic gameplay all work seamlessly together with a generative music system, which creates original music depending on the player’s actions and decisions. The player becomes a composer, creating complex musical structures to defend their hotel. A vast variety of music can be generated, from delicate beach chillout to country banjo techno.
“It’s Yourz” [Wu Tang Clan: It’s Yourz, from the album Wu Tang Forever, 1997, Loud/RCA/BMG, Prod: RZA, 4th Disciple, True Master, Inspectah Deck] for a mere £1.49. Yes, “The world in the palm of your hand! Twenty three million of useful land!” for only £1.49. Yetis with all bombs on. Pure mental attack birds. On your Android.
“Get it while it’s hot” [Kix: Get It While It’s Hot, from the album Blow My Fuse, 1988, Atlantic, Prod: Tom Werman, Duane Baron, John Purdell]
“Bad Hotel” [Lucky Frame: Bad Hotel, 2014: Prod: Yann Seznec, Jonathan Brodsky, Sean Mcilroy]